Maj :p
laphamsquarterly:

The Bormann decree, written by Hitler’s private secretary Martin Bormann, altered the look of the Nazi party by changing the official font from Fraktur (a traditional Gothic blackletter) to Antiqua (a standard serif).
Fraktur, he explains, contains Schwabacher-Jewish letters. Schwabacher was the most used German typeface since 1530, and was derived directly from Textura, designed by Johannes Gutenberg. 
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National Socialist German Workers Party [Nazis]Deputy to the FührerMunich 33, on [date - empty space], Brown House [Nazi headquarters]
Stabsleiter (Chief of Staff)
currently in Obersalzberg, 3 January 1941
C i r c u l a r  L e t t e r(Not for publication)
For general notice I announce the following by order of the Führer:
It is false to regard or describe the so-called Gothic typeface as a German typeface. In reality the so-called Gothic typeface consists of Schwabacher-Jewish letters. Just as they later came to own the newspapers, the Jews living in Germany also owned the printing presses when the printing of books was introduced and thus came about the strong influx into Germany of Schwabacher-Jewish letters.
Today the Führer, in a discussion with Herr Reichsleiter Amann [Reich Leader for the Press] and the printing company owner Herr Adolf Müller, decided that Antiqua [Roman] type is henceforth to be designated as the standard typeface. Gradually, all printed matter should be converted to this standard typeface. As soon as possible in regard to school textbooks, only the standard script will be taught in village and elementary schools.
The use of Schwabacher-Jewish letters by authorities will in future cease; certificates of appointment for officials, street signs, and the like, will in future only be produced in standard lettering.
By order of the Führer, Herr Reichsleiter Amann will first change over to the standard script those newspapers and magazines that already have foreign circulation or whose foreign circulation is desired.
sgd. M. Bormann

laphamsquarterly:

The Bormann decree, written by Hitler’s private secretary Martin Bormann, altered the look of the Nazi party by changing the official font from Fraktur (a traditional Gothic blackletter) to Antiqua (a standard serif).

Fraktur, he explains, contains Schwabacher-Jewish letters. Schwabacher was the most used German typeface since 1530, and was derived directly from Textura, designed by Johannes Gutenberg. 

—————————————————-

National Socialist German Workers Party [Nazis]
Deputy to the Führer
Munich 33, on [date - empty space], Brown House [Nazi headquarters]

Stabsleiter (Chief of Staff)

currently in Obersalzberg, 3 January 1941

C i r c u l a r  L e t t e r
(Not for publication)

For general notice I announce the following by order of the Führer:

It is false to regard or describe the so-called Gothic typeface as a German typeface. In reality the so-called Gothic typeface consists of Schwabacher-Jewish letters. Just as they later came to own the newspapers, the Jews living in Germany also owned the printing presses when the printing of books was introduced and thus came about the strong influx into Germany of Schwabacher-Jewish letters.

Today the Führer, in a discussion with Herr Reichsleiter Amann [Reich Leader for the Press] and the printing company owner Herr Adolf Müller, decided that Antiqua [Roman] type is henceforth to be designated as the standard typeface. Gradually, all printed matter should be converted to this standard typeface. As soon as possible in regard to school textbooks, only the standard script will be taught in village and elementary schools.

The use of Schwabacher-Jewish letters by authorities will in future cease; certificates of appointment for officials, street signs, and the like, will in future only be produced in standard lettering.

By order of the Führer, Herr Reichsleiter Amann will first change over to the standard script those newspapers and magazines that already have foreign circulation or whose foreign circulation is desired.

sgd. M. Bormann

To let go isn’t to forget, not to think about, or ignore. It doesn’t leave feelings of anger, jealousy or regret. Letting go isn’t winning, and it isn’t losing. It’s not about pride, and it’s not about how you appear, it’s not about obsessing or dwelling on the past. Letting go isn’t blocking memories or thinking sad thoughts, it doesn’t leave emptiness, hurt or sadness. It’s not giving up or giving in. Letting go isn’t about loss, and it isn’t defeat. To let go of something is to cherish the memories, to overcome and move on. It’s having an open mind and confidence in the future. Letting go is accepting, it’s learning, it’s experiencing. To let go is to be thankful for the experiences that once made you cry, laugh, love and grow. It’s about all that you had and all you still have. Letting go is having the courage to accept change and the strength to keep moving. It’s growing up, realising that a heart can sometimes change and it can also be the most potent remedy. To let go is to open a door, clear a path and set yourself free.
Unknown  (via fatherearth)
A human being is a part of a whole, called by us ‘universe’, a part limited in time and space. He experiences himself, his thoughts and feelings as something separated from the rest… a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty.

nationalpost:

Photos: Pages from a real-life Sherlock Holmes’ diary
Between 1909 and 1912, Detective Inspector Robert Mather of the Manchester Police kept scrupulous notes on 65 characters from the city’s criminal underworld, including Samuel Searson, a.k.a. Samuel Jackson, who most recently served six months for “stealing silver shields” and three elaborately coiffed individuals labelled as “brothel thieves.” (Photos: Bonhams/Reuters/handout)

Vintage Cameras Repurposed As Night Lights

visitlinkvid:

Source: flickr.com  /  via: gizmodo.com

aegiyongioppa:

Buddha Bokeh by SummerSound on Flickr.
archaeology:

Snow-capped Vesuvius, over a Pompeii street. By Catello Imperatore, an old excavation companion & Pompeii native.

archaeology:

Snow-capped Vesuvius, over a Pompeii street. By Catello Imperatore, an old excavation companion & Pompeii native.

Just sitting means just that. That ‘just’ endlessly goes against the grain of our need to fix, transform, and improve ourselves. The paradox of our practice is that the most effective way of transformation is to leave ourselves alone. The more we let everything be just what it is, the more we relax into an open, attentive awareness of one moment after another.
Barry Magid, “Leave Yourself Alone” (via Tricycle Daily)